[ comments ]

In Rolando Goldman's work traditions can undoubtedly be found; yet, there is also freedom embodied in a language that drives him beyond those borders.
Página 12 Daily, January 5, 2000
(by Diego Fischerman)

In his excellent CD, Rolando Goldman confirms a career built on work and talent.
La Marea Magazine, summer issue 1999/2000

The Argentine outstanding charango player pleases the Potosi audience with his music.
El Siglo Daily, Potosí, Bolivia, October 13, 1999

Goldman is one of the best charango players of the country; a surprise worth finding.
El Terrotorio Daily newspaper, Misiones, October 1st., 1999

He has achieved a material with good taste and a very personal sound.
El Indepeniente Daily, La Rioja, October 1st., 1999

Goldman, in solitude, expresses his wisdom in Estudio para charango. His fingers slide, virtuous, along the instrument's strings, from which he elicits simple, warm melodies.
Tres Puntos Magazine, September 8, 1999
(by Juan Andrade)

Golden Charango. Remarkable player.
Diario Popular Daily, August 18, 1999

Diablo Suelto proposes communion of this excellent musician with the charango.
La Unión Daily, Catamarca, August 6, 1999

Rolando Goldman is one of the most complete charango players. Very good.
La Voz del Interior Daily, Córdoba, August 2, 1999

Notable artist.
Entre todos, Folklore, Magazine July, 1999

His CD Diablo Suelto is an extraordinary chance to discover the soundness and personality of one of the best national charango players.
Veintiuno Magazine, July 29, 1999
(by Miguel Russo)

Very good. He proves that the charango can do more.
El Espectador Magazine, July 26, 1999

Rolando Goldman combines wit with virtue without excesses.
La Nación Daily, July 18, 1999
(by Mauro Apicella)

Good arts displayed by Rolando Goldman guarantee there is charango for a long while. Very good.
Clarín Daily, July 13, 1999
(by Gabriel Senanes)